About

I’m a London-based photographer working with organisations and people that care about how they come across.

I’ve been photographing people and businesses professionally for over twelve years, refining a way of working that puts individuals at ease and produces images that feel clear, natural and credible. My clients include Marriott, Microsoft, Lloyds Bank, EY (Ernst & Young), Allies & Morrison Architects, Google, the NHS and De Beers, as well as professional services firms across the legal, financial, property, insurance and consulting sectors.

I’ve also worked with hundreds of musicians at different stages of their careers.

My work ranges from headshots and portraits through to events and campaign photography. Whatever the brief, the focus is always on the people – how they actually work, how they interact, and how they want to be seen. I’m less interested in surface polish than in photos that feel considered and useful.

The images I create are used across websites, social media, presentations, proposals, internal communications, Slack and press. They’re made to work hard in real contexts, and to remain relevant long after the shoot itself.

My Approach

It’s one thing to make an individual look good. It’s another to make an organisation look coherent through its people. That’s the distinction I focus on.

I’m not just producing individual portraits; I’m helping to establish a consistent visual language that reflects how a business wants to be understood. That comes from considered decisions around background, colour, lighting, framing and format – and from paying attention to how people relate to one another, not just how they appear in isolation.

Whether I’m working with a large corporate team, a small firm or an individual, the approach is the same: images that feel natural, credible and well judged. That applies as much to formal portraits as it does to photographing people at work and at events – conferences, seminars, internal hospitality and client gatherings – where the challenge is to do fantastic photography without becoming intrusive.

I lead every project personally. When scale or timing requires it, I work with a small, trusted group of photographers, retouchers and editors to ensure consistency and delivery. Alongside client work, I run photography courses and curate the annual London Photo Show, which I love because I get to take part in something photography related just for fun and satisfaction.

Costs

I’m very aware that the real cost of photography is often the time of your people, particularly when shoots involve senior staff or travel. My role is to make that time well spent.

I work in a way that is organised, responsive and reliable: clear on objectives in advance, efficient on the day, and careful not to disrupt your work or internal processes. Shoots are run with pace and focus, and delivery is to agreed deadlines.

Photography should be treated as an investment rather than a line item. Below are some example fees to give a sense of scope and scale.